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This second annual R&B Xmas Ball showcased a roster of performers renowned for their Christmas albums. Instead of centering on carols, the night acted as a sentimental excuse for a trip back to the earnest and emotional style of 90s R&B.

Opening Performances: Classic Feelings

The group Dru Hill presented classic R&B in matching attire, with music videos from the 2000s era playing on screens behind them. Next, a set of primarily ballads from Joe prepared the audience for the headlining artists.

The Powerful Performance

The beginning of Burna Boy’s Last Last skillfully transitioned into He Wasn’t Man Enough, tying in Braxton's musical legacy. Initially, her performance with a backing band appeared rooted in the era of her peak fame.

Then, deep into her performance, she opened up about her struggle with lupus and being told she might not perform on stage again. Singing Breathe Again in a single spotlight, she gave a profoundly emotional moment. “As long as I live, I will never forget tonight,” she stated earnestly.

Driving guitar chords then launched the crowd into Long As I Live, cementing her grip over the crowd's emotions. She finished with an flawless, though somewhat abridged, version of her iconic hit, Un-break My Heart.

Boyz II Men: Vocal Virtuosos

Appearing on stage in strikingly coordinated all-white suits, Boyz II Men opened with Motownphilly. They performed classics like Water Runs Dry and On Bended Knee, showcasing awe-inspiring three-way harmonies that were both precise and responsive to their live band.

Their set included interpretations of inspirations, including a standout solo on Purple Rain, and songs influenced by them, like Bruno Mars’s Locked Out of Heaven.

A Dash of Holiday Spirit

Finally, the concert turned to the Christmas theme with performances of Silent Night and Let It Snow. The show concluded with a strong closing run of hits including One Sweet Day, I’ll Make Love To You, and End of the Road.

Overall Impressions

While the night's production had some glitches, and the feeling at points was of artists paying homage to their younger selves, the net result was transportive. The audience was temporarily transported to the peak era of R&B, leaving dusted with sparkle rather than frost.